Unlocking Ancient & Modern 'Tech' of Jinci Temple
EP 1 YouTube: https://youtu.be/A2nVeQh05kc
EP 2 YouTube: https://youtu.be/qAfK4ITL5tw
The Jinci Temple,
Twenty-nine of those trees are more than a thousand years old. One of them, a cypress planted during the Western Zhou Dynasty (1046 BCE-771 BCE), has stood for nearly 3,000 years. A spring called Nanlao, the "Never Aging Spring," has flowed for more than two millennia, though it stopped temporarily in the 1990s.
The Jinci Temple is often called a museum of ancient Chinese architecture. It is also something rarer: a living landscape where water, wood and stone have coexisted for millennia, and where the work of preservation is a conversation between the past and the present.
On a summer morning, Li Ruiling, a young guide at the Jinci Museum, waited at the entrance to welcome a visitor from
He had come to the temple with a question: How has a place with such a profound history survived this long?
Li led Rasheed to the Information Network Department where
The work began in 2015. That year, the Jinci Temple launched its first digital collection project, starting with the temple's three national treasure buildings: the Saint Mother's Hall, the
Today, more than 80 percent of the temple's ancient buildings, murals, sculptures and trees have been digitally archived.
Han showed Rasheed a high-resolution 3D rendering of a Song Dynasty painted statue inside the hall, known as the "most beautiful attendant." The resolution was so fine that Rasheed could see the folds of her robe, the tilt of her head and the faint trace of a weathered smile.
The project was not just about creating images, Han explained. The digital archive preserves the original state of the relics as permanent data. If the statues suffer environmental damage over time, the digital versions will remain intact. "We started this work back in 2015," Han said. "For the three national treasure buildings — the Saint Mother's Hall, the
In addition to documentation, the Jinci Temple has built a preventive protection system that watches over the physical buildings in real time. The sensor network in the Saint Mother's Hall covers the entire interior, tracking temperature, humidity, carbon dioxide, sulfur dioxide and particulate matter. If any metric exceeds its threshold, the system issues an alert. The team investigates and intervenes before visible damage occurs.
The museum has pioneered a three-in-one prevention model: monitoring and early warning, risk assessment and routine maintenance. There are daily, regular and specialized inspections for dynamic preservation with minimal intervention. The approach has been recognized by the National Cultural Heritage Administration of China as a model case for high-quality development in heritage conservation. The Jinci Temple is now the only national-level preventive cultural relic protection pilot in
Li then took Rasheed to meet
"We aim to summarize a set of effective protection methods and pathways for ancient painted sculptures," Xie explained. He emphasized two guiding principles: minimal intervention and maximum authenticity. "We preserve the original state of the relics as much as possible."
Environmental monitoring data is central to this work. If humidity changes, the team closely follows and investigates. If sulfur dioxide levels rise, they intervene. Xie described a shift in perservation thinking: "Our concept of cultural relics protection has moved from rescue protection to preventive protection, and from single-object protection to systematic protection of the surrounding environment."
He gave a practical example. In the Wang Qiong Temple, a hall dedicated to a famous official in the Ming Dynasty (1368-1644), sensors detected that indoor humidity was significantly higher than outdoors, a condition that could damage the painted sculptures and murals inside.
The team traced the problem to groundwater seepage from the surrounding drainage system. They modified the apron system, and the indoor climate returned to balance. "If the data shows significant changes," Xie said, "we must consider whether there is a risk to the safety of the relics. If it does pose a risk, we intervene to mitigate the harm."
Rasheed was quiet as they walked out. "In Pakistan,we also have ancient sites. They are thousands of years old, just like the Jinci Temple. But I have never seen anything like this digital system there," he said.
"Different countries have different conditions," Li said. "But they can learn from
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SOURCE Science and Technology Daily
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